THE HOLOCAUST/THE SHOAH
Dr. Arnold Leder
Political Science 4328
Political
Science 4328 as Senior Seminar Equivalent
Students who wish to take this course, Political Science 4328, as a
substitute for the required Senior Seminar in Political Science
(Political Science 4399) should
speak with the Undergraduate Program Coordinator in Political Science
and with Dr.
Leder, the instructor for this course.
Political
Science 4328 & Course Group Distribution Requirements in Political
Science
For students who wish to use this course to meet Course Group
Distribution requirements in Political Science, this course satisfies
Group I- Political Theory and
Methodology requirements. (This course
may also be used to satisfy Group IV-
Comparative Government requirements.)
Political Science 4328 is designated a writing intensive (WI)
course. For a list of undergraduate courses in Political Science
by group, see: http://www.polisci.txstate.edu/courses/undergrad-courses.html.
Department Of Political Science/Texas State
University
http://www.polisci.txstate.edu/
Courses
for the B.A. in Political Science-Learning Outcomes
The online version of this syllabus can be
accessed @
http://www.arnoldleder.com/4328.htm.
Password protected materials for this course can
be
viewed @ http://www.arnoldleder.com/readings/index.html.
Scroll
to the section on "The Holocaust/Shoah". Password
and user name for access will be provided to students in the
course.
For links to web syllabi for other courses taught by Dr.
Leder see:
http://www.arnoldleder.com/.
Office: ELA 335
Office Hours: TBA & by
appointment
Texas
State University Academic Calendar
Texas State University Final
Exam Schedule
Selected Web Resources For Texas State University
Texas State
University Library
Locating
Periodicals @ Texas State University Library
Citation
& Bibliographic Styles & Related Information
Selected Web Resources For Political Science
Portals
to the World Home Page (Library of Congress)
Internet
Political Science Resources-Extensive University Links/University Of
Michigan
The WWW
Virtual Library:International Affairs Resources
The
Ultimate Political Science Links Page
Web
Resources For The Shoah/Holocaust-Links To Many Websites
Including: Yad Vashem @ http://www.yadvashem.org/
United States
Holocaust Memorial Museum @
http://www.ushmm.org/
The Jewish Virtual Library/The Holocaust http://www.jewishvirtuallibrary
.org/jsource/holo.html
------------------------------------------
OVERVIEW OF COURSE
Course Title:
THE SHOAH (THE HOLOCAUST)
Holocaust
Photo Link: Jewish Boy With Hands Up Faces German Stormtroopers/Warsaw
Ghetto Uprising-April-May 1943
http://fcit.coedu.usf.edu
/holocaust/gallery/46199.htm
and http://www.deathcamps.org
/occupation/gunpoint.html
Holocaust photo of Rozel
(age 7) and Kayla Sarah
(age 6) Scheinfeld, who perished in Auschwitz in May,
1944. Their
mother, Hananya Scheinfeld,
also perished in Auschwitz. http://www1.yadvashem.org/remembrance/yom_hazicaron/photo9.html
For additional photos, see:
http://www1.yadvashem.org/remembrance/yom_hazicaron
/photo.html
Holocaust
Photo Link: Execution Of Jewish Woman & Child (1942)
http://www.jewishvirtuallibrary
.org/jsource/Holocaust/Ivangorod.html
Oyfn Pripetshik (On the Hearth) A well known Yiddish lullaby.
http://www.ibiblio.org/yiddish/songs/pripetshek/frontp.html
This well-known Yiddish lullaby, by Mark
Warshawsky (1848-1907)
describes a rabbi teaching a group of boys of kindergarten age the
Yiddish alphabet. It is symbolic of the Jewish tradition of
studying
Torah, the Five Books of Moses, as well as the passing down of heritage
from one generation to another. This lullaby is sung by a
children's chorus in a segment of the film Schindler's
List (1993).
The words to this lullaby are:
Oh, the fire burns in the fire place, and the room has heat.
And the rabbi teaches all the little ones all their ABCs;
And the rabbi teaches all the little ones, all their
ABCs.
See now, little ones, listen children, don't forget it,
please.
Say it once for me and say it once again, All your ABCs.
Avraham Fried sings Oyfn
Pripetshik
http://www.youtube.com/watch?v=OLfUUFt1Wp4&search=Yiddish%20music
See also: http://www.youtube.com/watch?v=JkS3cZntDTY&feature=related
http://www.youtube.com/watch?v=UUF-jHyEuNg&feature=related
See: Children
of the Holocaust
___________________________________________________________________________________
"... I should like someone
to
remember that there once lived a
person named David Berger."
David Berger in his last letter, Vilna 1941.
http://www.yadvashem.org/lwp/workplace/IY_HON_Entrance
"These were the
last lines David Berger, 19, wrote to his girlfriend, before he was
shot to death by German soldiers in 1941."
Paul
Goldman/Giving an Identity to Holocaust's fallen/January 26,
2005/msnbc.msn.com/
The
Story of David Berger/yadvashem.org
"David
Berger was born and grew up in the Polish town of Przemysl. When the
war broke out, in 1939, he fled from the invading German forces, ending
up in Vilna (Vilnius). While in Vilna he corresponded with his friend,
Elsa, who had managed to leave Poland for British-controlled Palestine
in 1938. In this postcard he bid Elsa farewell, assuming that he would
not survive. ... He was shot in Vilna in July 1941. He was 19
years old."
Marion Samuel
Marion
Samuel A photo of Marion Samuel, an eleven-year-old
girl murdered
in Auschwitz in 1943.
Source: http://www.gegen-vergessen.de/gegenvergessen/aly072003_1.html
See: Alana
Newhouse/Portrait in Grief/NYT Sunday Book Review January 20, 2008
A review of: Götz
Aly/Into the Tunnel: The Brief Life of Marion Samuel, 1931-1943
(Metropolitan Books/Henry Holt 2008)
from the Book Description at amazon.com:
A generous feat of biographical sleuthing by an acclaimed
historian
rescues one child victim of the Holocaust from oblivion When the German
Remembrance Foundation established a prize to commemorate the million
Jewish children murdered during the Holocaust, it was deliberately
named after a victim about whom nothing was known except her age and
the date of her deportation: Marion Samuel, an eleven-year-old girl
killed in Auschwitz in 1943. Sixty years after her death, when Gtz Aly
received the award, he was moved to find out whatever he could about
Marion's short life and restore this child to history. In what is as
much a detective story as a historical reconstruction, Aly, praised for
his 'formidable research skills' (Christopher Browning), traces the
Samuel family's agonizing decline from shop owners to forced laborers
to deportees. Against all odds, Aly manages to recover expropriation
records, family photographs, and even a trace of Marion's voice in the
premonition
she confided to a school
friend: 'People disappear,' she
said, 'into the tunnel.' A gripping account of a family caught
in the
tightening grip of persecution, Into the Tunnel is
a powerful reminder
that the millions of Nazi victims were also, each one, an individual
life. (boldface
added)
"
This is a weighty little book, as easy to read as it is
difficult to forget... For Marion
Samuel, the future was a brief life
and a brutal end, followed by years of obscurity...Götz Aly
has
accomplished a remarkable feat: he has vividly
conjured up and restored
to history the beginning of a life that was not to be. If only this
work of commemoration could be done for all those who disappeared into
the tunnel." (boldface
added) —
from the preface by Ruth Kluger, author of Still
Alive: A
Holocaust Girlhood Remembered.
See:
http://www.ushmm.org/research/center/publications/details.php?content=2008-01-02
___________________________________________________________________________________
Topics
I.
The Shoah (The Holocaust): Terms, Thoughts, & Images
II.
SurvivingThe Shoah
III.
German Perpetrators And Jewish Victims
IV.
Polish Perpetrators And Jewish Victims
V.
Why Bulgaria's Jews Survived
VI.
Anti-Semitism In Germany
VII.
The War Against The Jews
VIII.
Ordinary Germans & The Holocaust (Police Battalion 101 And Others)
IX.
Goldhagen & His Critics & Defenders
X.
Representing The Shoah (The Holocaust)
XI.
Post Holocaust Anti-Semitism
-------------------------------------------------------------------------------------------------------------------------------
COURSE ORGANIZATION &
STUDENT RESPONSIBILITIES
COURSE DESCRIPTION
A seminar devoted to intensive reading
and writing about and discussion of The Shoah (The Holocaust).
Topics covered include: Efforts to Understand The Holocaust; The
Evolution of anti-Semitism in Germany; The War Against the Jews;
Ordinary Germans and the Holocaust; Ordinary Poles and The Holocaust;
Representing The Holocaust in fiction, film, and poetry; and post
Holocaust "New anti-Semitism".
PURPOSE OF THE COURSE
The purpose of this course is to provide a basis
for examination of several critical dimensions of The Holocaust.
These dimensions include: the views, motivations, and actions of the
murderers; the experiences of Jewish victims; Anti-Semitism;
alternative explanations of the causes and nature of The Shoah and the
challenge to scholarship; the issue of remembering The Holocaust; and
the significance of the "New Anti-Semitism".
Class Participation, Oral
Presentations, Exams, Papers, Grades
1. This course will be conducted as a
seminar. Students must attend every class meeting and be prepared
to discuss assigned readings and other materials. Active
participation in class discussion is essential. Course grades
will be determined by oral presentations, class participation, and
written papers.
2. Determinants of Course Grade: Oral Reports
& Presentations 25%/ Seminar Participation 15%/ Essay Exams/Papers
60%
Attendance
1. One (1) unexcused absence is permitted.
Students with two (2) unexcused absences will have their course grade
lowered by one letter grade. Students who have three (3)
unexcused absences will have their course grade lowered by two letter
grades. No absences beyond four (4) for any reason are
permitted. Any student who has more than four absences is likely
to fail the course and, therefore, should withdraw from the course.
2. The instructor for the course is not
responsible for bringing students who have missed class "up-to-date" on
missed material. Each student has the responsibility to remain
current with respect to class material.
Please see: Academic
Honesty Statement for Texas State University @ http://www.txstate.edu/effective/upps/upps-07-10-01.html.
For an excerpt from this statement see
the end of this syllabus.
-----------------------------------------------------------------------------------------
COURSE CONTENT
Note On Course & Syllabus Materials: Students may find books,
articles, links, websites, and other materials provided in this
syllabus useful and of interest. Their listing in this syllabus,
including those which are required and recommended, does not
necessarily indicate endorsement of or agreement with any views or
positions on any issues found in these materials, websites, or on other
sites to which they may provide links.
Required Books
-
Aharon Appelfeld/Badenheim 1939 (D. R. Godine Publishers 1995) [Hebrew
original published in 1975]
- Christopher
Browning/Ordinary Men: Reserve Police Battalion 101 and the Final
Solution in Poland (1993) [with a new Afterword]
-
Inga Clendinnen/Reading The Holocaust (Cambridge University Press 1999)
-
Daniel Goldhagen/Hitler's Willing Executioners (Knopf 1996/Vintage 1997)
-
Jan T. Gross/Neighbors: The Destruction Of The Jewish Community In
Jedwabne, Poland (Princeton University Press
2001)
-
Primo Levi/Survival In Auschwitz(Collier1993)[Original Italian edition
published in 1947]
-
Yosefa Loshitzky
(ed.)/Spielberg's Holocaust: Critical Perspectives On Schindler's List
(Indiana University Press
1997)
-
Robert R.Shandley (ed.)/Unwilling Germans?
The Goldhagen Debate (University Of Minnesota Press 1998)
Recommended Books
Omer
Bartov/The "Jew" In Cinema: From The Golem To Don't Touch My
Holocaust (Indiana University Press 2005)
Christopher
Browning/The Origins Of The Final Solution: The Evolution of Nazi
Jewish Policy, September 1939-March 1942/Garners Books 2005 (Original
hard cover Univ. Of Nebraska Press & Yad Vashem 2004)
Emil
L. Fackenheim/To Mend The World (Indiana University Press 1982)
Robert
Gellately/Backing Hitler: Consent And Coercion In Naz iGermany
(Oxford University Press Paperback
2002)
Jan
Gross/Fear: Anti-Semitism in Poland After Auschwitz(Random House 2006)
Bernard
Harrison/The Resurgence Of Anti-Semitism: Jews, Israel, And Liberal
Opinion (Rowman & Littlefield 2006)
Jeffrey Herf/The Jewish Enemy: Nazi Propaganda During World War II And
The Holocaust (Belknap-Harvard University Press 2006)
Ilona
Karmel/An Estate Of Memory(The Feminist Press City University of New
York 1969)
Imre K
ertész/Fatelessness (Vintage 2004)
Victor
Klemperer/I
Will Bear Witness 1933-1941:A Diary Of The Nazi
Years (Modern Library Paperback 1999)
Victor
Klemperer/I
Will Bear Witness 1942-1945:A Diary Of The Nazi
Years (Modern Library Paperback 2001)
Walter
Laqueur/The Changing Face of Anti-Semitism: From Ancient Times to the
Present Day (Oxford University Press 2006)
Kristen
R. Monroe/The Hand Of Compassion: Portraits of Moral Choice
During the Holocaust (Princeton University Press 2004)
Antony
Polonsky & J.B. Michlic (eds.)/The Neighbors Respond:The
Controversy Over The Jewadnebe Massacre In Poland (Princeton
Univ. Paperback 2004)
TzvetanTodorov/The
Fragility Of Goodness:Why Bulgaria's Jews Survived The Holocaust
(Princeton University Paperback 2001)
Alan
E.
Steinweis/Studying the Jew: Scholarly Anti-Semitism in Nazi Germany
(Harvard University Press 2006)
Required Articles:
These are listed in each section of the syllabus. Access to
articles through the Texas State University Library, available to all
Texas State University students, requires a valid User Name and a
Password. Most of the links in this syllabus provide direct
access to the article.
Videos/DVD's For In-Class Viewing And Discussion
America
And The Holocaust (1994) [1hr. & 30 min.]
From the Public Broadcasting Service (PBS) series, "The American
Experience" @
America And The Holocaust (Video)/pbs.org/wgbh/amex/holocaust/
Der Ewige Jude
(1940) [70 min.] See paper by Stig Hornshoj-Moller (with links &
photos)
" 'Der Ewige Jude' ('The Eternal Jew') is the
most famous Nazi propaganda film. It was produced at the insistence of
Joseph Goebbels, under such active supervision that it is effectively
his work. It depicts the Jews of Poland as corrupt, filthy, lazy, ugly,
and perverse: they are an alien people which have taken over the world
through their control of banking and commerce, yet which still live
like animals."
See also: Photos
Link: Nazi
Propaganda Film Classic"The Eternal Jew"(Der-Ewige-Jude)/Still Photos
Fateless
(2006) [2 hrs. & 20 min./Hungarian, German, with English subtities]
This film is based on the Nobel Prize
winner Imre Kertész's novel,
Fatelessness (Vintage 2004), about a young Jewish boy's deportation
in 1944 from Budapest, his struggle to survive in the concentration
camps, and his perceptions and feelings when he returns home.
(Hungarian and German with English subtitles.)
"Set in 1944, as Hitler's Final Solution becomes policy throughout
Europe, Fateless is the semi-autobiographical tale of a 14 year-old
Jewish boy from Budapest, who finds himself swept up by cataclysmic
events beyond his comprehension. A perfectly normal metropolitan teen
who has never felt particularly connected to his religion, he is
suddenly separated from his family as part of the rushed and random
deportation of his city's large Jewish population. Brought to a
concentration camp, his existence becomes a surreal adventure in
adversity and adaptation, and he is never quite sure if he is the
victim of his captors, or of an absurd destiny that metes out salvation
and suffering arbitrarily. When he returns home after the liberation,
he missed the sense of community he experienced in the camps, feeling
alienated from both his Christian neighbors who turned a blind eye to
his fate, and the Jewish family friends who avoided deportation and who
now want to put the war behind them." From: the dvd cover for the
film.
"German Citizens' Role In The Holocaust"
(September 08, 1996)/[1 hr. & 31 min./German and English with
English voice translation of the German. This video is a production of
C-SPAN based on an original television broadcast by ZDF, a major German
TV network. The video is stored at Purdue University Public
Affairs Archives.] It records a public discussion of Daniel
Goldhagen's book, Hitler's
Willing Executioners
,
with Daniel Goldhagen responding to a number
of his German critics held before a German audience. This video
is now available in dvd format. See: http://www.c-spanarchives.org/library/index.php?main_page=product_video_info&products_id=77679-1.
From the c-span archives:
"During the German promotion tour for his new book,
Hitler's
Willing
Executioners, Mr. Goldhagen participated in a panel discussion with
German historians, a Holocaust survivor and a German World War II
veteran sponsored by German television in Aschaffenburg, Germany.
The debate focused on his arguments about the role of ordinary
Germans from virtually all backgrounds in the murder of Jews and the
character and intensity of German anti-Semitism. He also took a few
questions and comments from the audience. Translation of all remarks
but Goldhagen's from German to English was by voiceover".
The
Grey Zone (2001) [1hr. & 48 min.]
Based on real life events, this film depicts a
unit of Auschwitz's Sonderkommando, special squads of Jewish prisoners
who worked in the death camps.
Luboml:
My Heart Remembers (2003) [57 min./cinemaguild.com]
A documentary which uses rare film footage,
archival photos, and interviews with former residents to re-create the
fabric of daily life in the predominantly Jewish market town, or
shtetl, of Luboml in prewar Poland. The video reveals Luboml as a
vibrant town where religious tradition and community life
coexisted. No quaint rural village, Luboml was an important
regional market town, complete with theater, a cinema, electric lights,
sports teams, numerous trades and businesses, and factories and
workshops. In 1941-1942, German forces destroyed Luboml's Jewish
community and murdered nearly all of its Jewish citizens.
For backgound information on the Jews of
Poland, see: Rebecca Weiner,
"The Virtual Jewish History Tour: Poland" @ http://www.jewishvirtuallibrary.org/jsource/vjw/Poland.html.
The
Nasty Girl (1989) [1hr. & 34 min./German with English subtitles]
This film is based on the actual experiences of a
German author who has written several books about the Nazi past of her
Bavarian hometown. The film depicts the reaction of the
townspeople to her research for her first book and to their hometown
author.
Night
And Fog (1955) [32 min./French with English subtitles]
A classic documentary on the death camps.
The
Quarrel (1990) [1hr. 30 min.]
"Montreal 1948. On Rosh Hashanah, Chaim (a Yiddish writer) is forced to
think of his religion when he's asked to be the tenth in a minyan. As
he sits in the park, he suddenly sees an old friend whom he hasn't seen
since they quarrelled when they were yeshiva students together. Hersh,
a rabbi, survived Auschwitz and his faith was strengthened by his
ordeal, while Chaim escaped the Nazis, but had lost his faith long
before. The two walk together, reminisce, and argue passionately about
themselves, their actions, their lives, their religion, their old
quarrel, and their friendship." From amazon.com
- synopsis of the film.
Schindler's
List (1993) [3 hrs. & 17 min.]
The Holocaust film which likely has been viewed
by more people than any other Holocaust film.
Triumph Of The Will (1934) [1hr. & 50 min./German-no English
subtitles]
A Nazi propaganda classic directed by the
infamous Leni Riefenstahl.
The
Wannsee Conference (1984) [1hr. & 27 min./German with English
subtitles]
A German "docudrama" portraying the historic
Wannsee Conference (January 20, 1942) of high ranking German officials
and their discussion of the extermination of Europe's Jews. On
January 20, 1942 one of the most macabre conferences in history took
place at an idyllic lakeside house Am Großen Wannsee 56/58 in
Wannsee near Berlin. The subject was the organisation of the 'Final
Solution', the destruction of all 11 million European Jews. In
the relaxed and distinctively upper middle-class atmosphere of that SS
guest-house fifteen highly placed German officials met and discussed
the best strategy for genocide, over a glass of good cognac.
Recommended Videos
Image
Before My Eyes-A History of Jewish Life in Poland Before The Holocaust
(1981) [88 min./dvd release date April 2006]
"A stunning commemoration of Jews in Poland before the two World Wars
IMAGE BEFORE MY EYES pays homage to the dynamic and vibrant society of
3.5 million people that was destroyed during the Holocaust.Unearthing
the stories of Jewish villagers aristocrats socialists Zionists and
artists who fashioned a thriving civilization with a 900-year history
this triumphant films draws on the sacred and rare artifacts of a
crushed world-home movies forgotten song recordings and the evocative
memories of survivors-to recreate Jewish Poland. Tracing the subtle
contours of Jewish Diaspora IMAGE BEFORE MY EYES visits people as
varied as a former mayor of Scarsdale New York describing his youthful
Polish patriotism and a Brooklyn housewife who touchingly sings the
Yiddish songs of teachers tradesmen and beggars she learned as a child
in Warsaw.From the bucolic traditional shtetls of the countryside to
the freewheeling cultural revolution in the cities led by freethinkers
award-winning director Josh Waletzky (Partisans of Vilna) masterfully
memorializes a proud culture that still inspires hope and
reverence". Review posted @ amazon.com.
See also this description of this documentary film provided by
YIVO (http://www.yivoinstitute.org/index.php),
Institute for Jewish Research, @ http://www.yivoinstitute.org/index.php?tid=106&aid=347.
In addition, see this review of the book Lucjan
Dobroszycki, Barbara Kirshenblatt-Gimblett/Image Before My Eyes: A
Photographic History of Jewish Life in Poland (1977 - paper reprint by
Schocken in 1994): Image
Before My Eyes: A Photographic
History of Jewish Life in Poland, 1864-1939 by Julia
Hirsch Schwatrz, Jewish
Social Studies, Winter 1979, Vol. 41, Issue 1, pp. 90-91, 2
pages. (pdf)
This review can be accessed @
Locating Periodicals @ Texas State University Library. A valid Texas State University User Name and Password
are required.
See: Academic
Search Complete 1975 to present.
For backgound information on the Jews of Poland, see: Rebecca Weiner,
"The Virtual Jewish History Tour: Poland" @ http://www.jewishvirtuallibrary.org/jsource/vjw/Poland.html.
Jacob
The Liar (1999) [2 hrs.]
Based on a novel by a German-Jewish author, this
film tells the story of combatting depression in the Warsaw Ghetto
through fictitious news bulletins, from a radio which does not exist,
on Allied advances against the Germans.
Life
Is Beautiful (1999) [1hr. & 56 min./Italian with English subtitles]
Comedy and the Holocaust. An award winning
and widely praised film some of whose critics question the
appropriateness of finding and depicting comedy in The Holocaust.
The
Pianist (2002) [2 hrs. & 30 min.]
A story of a young Jewish musician in Poland who
survives the Holocaust. Widely praised and nominated for many
awards. Some reviewers have been critical, suggesting the lead
character's passivity and helplessness conform to a European desire to
see Jews as weak and passive.
Shoah
(1985) [9hrs. & 23 min.]
Widely regarded as a masterpiece and the classic documentary film on
The Holocaust.
From the review @
Amazon.com
"To write a review of a film such as Shoah seems an impossible task:
how to sum up one of the most powerful discourses on film in such a way
as to make people realize that this is a documentary of immense
consequence, a documentary that is not easy to watch but important to
watch, a documentary that not only records the facts, but bears
witness. We are commanded "Never forget"; this film helps us to fulfill
that mandate, reverberating with the viewer long after the movie has
ended. Yes, Holocaust films are plentiful, both fictional and non-,
with titles such as The Last Days, Schindler's List, and Life Is
Beautiful entering the mainstream. But this is not a film about the
Holocaust per se; this is a film about people. It's a meandering,
nine-and-a-half-hour film that never shows graphic pictures or delves
into the political aspects of what happened in Europe in the 1930s and
'40s, but talks with survivors, with SS men, with those who witnessed
the extermination of 6 million Jews.
Director Claude Lanzmann spent 11 years tracking people down,
cajoling them to talk, asking them questions they didn't want to face.
When soldiers refuse to appear on film, Lanzmann sneaks cameras in.
When people are on the verge of breaking down and can't answer any more
questions, Lanzmann asks anyway. He gives names to the victims--driving
through a town that was predominantly Jewish before Hitler's time, a
local points out which Jews owned what. Lanzmann travels the world,
speaking to workers in Poland, survivors in Israel, officers in
Germany. He is not a detached interviewer; his probings are deeply
personal. One man farmed the land upon which Treblinka was built.
"Didn't the screams bother you?" Lanzmann asks. When the farmer seems
to brush the issues aside with a smile, Lanzmann's fury is noticeable.
"Didn't all this bother you?" he demands angrily, only to be told,
"When my neighbor cuts his thumb, I don't feel hurt." The responses,
the details are difficult to hear, but critical nonetheless. Shoah
tells the story of the most horrifying event of the 20th century, not
chronologically and not with historical detail, but in an even more
important way." - Jenny Brown
Return
to the beginning of the syllabus
___________________________________________
TOPICS FOR READING,
SEMINAR PRESENTATION, & DISCUSSION
I. The Shoah (The
Holocaust): Terms, Thoughts, & Images
1.
On
Use Of The Terms "Shoah" & "Holocaust"
"The biblical word Shoah (which
has been used to mean "destruction" since the Middle Ages) became the
standard Hebrew term for the murder of European Jewry as early as the
early 1940s. The word Holocaust, which came into use in the 1950s as
the corresponding term in English, originally meant a sacrifice burnt
entirely on the altar. The selection of these two words with religious
origins reflects recognition of the unprecedented nature and magnitude
of the events. Many understand Holocaust as a general term for the
crimes and horrors perpetrated by the Nazis; others go even farther and
use it to encompass other acts of mass murder as well. Consequently, we consider it important to use the Hebrew
word Shoah with regard to the murder of and persecution of European
Jewry in other languages as well." (boldface added)
Source: "The Holocaust:
Definition and Preliminary Discussion" @
http://yad-vashem.org.il/Odot/prog/index_before_change_table.asp?gate=0-2
For a discussion of the terms Shoah
and Holocaust, see: Philologus, "Best Way To Say the Unsayable", Forward August 31, 2001.
This article can be viewed @ http://www.arnoldleder.com/readings/index.html.
Scroll
to the section on "The Holocaust/Shoah" and look for the author,
Philologus: Shoah
and Holocaust. This location is password
protected.
Password
and user name for access will be provided to students in the
course.
"... there is no good and much harm, to be done by,
in effect, redefining the
term holocaust in
such a way as to allow the concrete specificity of the Nazi genocide,
and with it everything which links it to enduring aspects of European
culture and politics, to fade from view. For that is what would
happen if we were to allow ourselves to be led, through a persuasive
reassignment of the descriptive content and reference of the term
holocaust in the direction of greater generality, to imagine that every
great evil done by human beings to one another ... is a
phenomenon of exactly the same kind as the Nazi Holocaust.
Everything is what it is and not another thing. Evil is not a
single recurrent feature of human life, eternally self-identical in its
nature. There are many kinds of
evil, springing from many
different causes ... If we are to think
rationally about these matters, if our response to human evil is not to
be reduced to futile and sentimental hand wringing, we need a
vocabulary which allows us to keep track of the differences." (boldface
added)
Bernard
Harrison, The
Resurgence Of Anti-Semitism: Jews, Israel, And Liberal
Opinion (2006), pp. 125-126.
2. Images of The Shoah
Films/Videos:
Night
And Fog
Readings (on the film "Night
and Fog"):
John
Nesbit/Review Of "Night & Fog"
Charles Krantz, "Teaching [the film] 'Night and Fog'
", Film & History
, February 1985, Vol. 15, Issue 1, pp. 2-15.
(Note: It is recommended that this article be read after viewing the film
"Night and Fog".)
This article can be
directly accessed @ http://libproxy.txstate.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=16875070&site=ehost-live
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See also: Emma Wilson, "Material Remains:
Night and Fog", October,
Spring 2005, Issue 112, pp. 89-110. (Note: "October" in this
citation is the title of the journal.)
This article can be
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are required.
3.
"Reading The Shoah"
"... the events of the Holocaust remain for some of their [a
reference to scholars who have studied the Holocaust] most dedicated
students as morally and intellectually baffling, as 'unthinkable', as
they were at their first rumouring.
... I have written neither for specialists nor for those for whom the
Holocaust was a lived actuality, but for perplexed outsiders like
myself, who believe with me that such perplexity is dangerous.
In the face of a catastrophe on this scale so deliberately inflicted,
perplexity is an indulgence we cannot afford." (boldface added)
Inga Clendinnen/Reading The Holocaust (Cambridge UniversityPress 1999)
,
Chapter 1, "Beginnings", pp. 4 and 5.
Readings:
Clendinnen/Reading
The Holocaust,
Chapters 1, 2.
Review/Milton
Goldin/Clendinnen, Reading The Holocaust
II.
Surviving The Shoah
1.
Survival
Photos
Link/Photos From The Death Camps
http://fcit.coedu.usf.edu/holocaust/resource/gallery/CampMisc.htm
Readings:
Levi/Survival
In Auschwitz, the entire book
Robert Brustein, "The Saved and the Drowned", The New Republic, February
28, 2005, Vol. 232, Issue 7.
The Brustein article can be accessed @
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Michael Andre Bernstein, "A Yes or a No" - A
review of Primo Levi:
Tragedy of an Optimist by Myriam Anissimov, translated by Steve
Cox, The New Republic,
September 27, 1999, Vol. 221, Issue 13. The Michael Bernstein article can be accessed @
Locating Periodicals @ Texas State University Library A valid Texas State University User Name and
Password are required.
For direct access to the same Michael Bernstein article cited above,
see: http://www.arlindo-correia.com/anissimov.html.
Scroll past the short piece in French on Primo Levy (by
another author) to the Bernstein article in English.
The Bernstein article on this site has the title: Michael
Andre Bernstein, "The End Of Meritocracy" - A review of Primo Levi:
Tragedy of an Optimist by Myriam Anissimov, translated by Steve
Cox, The New Republic
1999 (Volume and issue number are not provided).
A
Shoah Memoir: "Abe's Story"- Interactive Map/remember.org/abe/map.html
Clendinnen/Reading
The Holocaust,
Chapters 3, 4.
Recommended
Book:
Imre Kertész/Fatelessness
Films/Videos, Audio, & Related Readings:
Clendinnen/Reading
The Holocaust,
Chapter 5, "Inside The Grey Zone: The Auschwitz Sonderkammando".
The
Grey Zone
Fateless
On this film and Imre Kertész, see:
http://nobelprize.org/nobel_prizes/literature/laureates/2002/kertesz-lecture-e.html
Alan
Riding/The Holocaust, From a Teenage View/NYT/January 3, 2006 (review
of the film "Fateless")
István
Deák,
"Fatefulness", The New Republic,
April 2, 2007, Vol. 236, No. 4,810, pp. 52-56. (A review essay of A
Guest In My Own Country: A Hungarian Life [April 2007] by
George Konrad,
the Jewish
Hungarian writer who in this book, among his other observations, traces
his life as a Hungarian child during the
Holocaust.)
This article can be accessed @
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Chava
Pressburger/The Diary of Petr Ginz:
1941-1942
(Atlantic Monthly Press 2007)
"The diaries of
Petr Ginz, a
14-year-old Czech Jew who died in
Auschwitz
in 1944, resurfaced in 2003 after nearly 60 years in obscurity."
See also: http://www.groveatlantic.com/grove/bin/wc.dll?groveproc~genauth~5238
For background material on the discovery and publication of Petr
Ginz's diary, and photos, see:
Ashley
Parker/A Youthful Chronicle Of Wartime In Prague (See photos slide
show)/NYT- Arts Section pp.
B1 & B8/April 10, 2007
"The first sign that things aren’t quite right comes when Jews are
required to wear a badge, a black and yellow star of David, on the
outside of their clothes. And yet 13-year-old Petr Ginz remains wryly
amused, writing in his diary: 'When I went to school, I counted
sixty-nine ‘sheriffs.’ ... Such is the life of a young
Czechoslovakian Jewish boy living in
Prague in 1941, and it is a life that Petr meticulously documented in
his diary until he was sent on a transport to Theresienstadt and,
ultimately, to his death in an Auschwitz gas chamber two years
later. ... The publication adds another adolescent voice to the
literature of
the Holocaust. If
Anne
Frank's diary is her friend and
confidante, full of flowery prose and hopes and
dreams, Petr’s offers an unsentimental perspective on his changing
world, and one that fits his personality: half scientist, half reporter
and all, still, little boy."
For an online exhibition at yadvashem on
Petr Ginz and children
in the Shoah, see:
http://www1.yadvashem.org/exhibitions/temporary_exhibitions/childsplay/temp_index_no_childsplay_peter_ginz.html
See also: http://www.jewishmuseum.cz/en/aginz.htm
Drawing
of Earth as Seen by the Moon by Peter Ginz and taken
onto the Space Shuttle Columbia.
"Rutka Laskier, a young (14-year old
Jewish) girl from Bedzin, Poland, kept a diary
for a few brief months in 1943. The
outside world slowly closed down on
her, but these few sheets of paper - some 60 handwritten pages in a
notebook – reflect both the horrors of the Holocaust and the entire
universe of an adolescent Jewish girl in the shadow of death.
"
Rutka perished in Auschwitz in 1943.
http://www1.yadvashem.org/research_publications/temp_publications/temp_index_Rutkas_Notebook.html
(includes photo of Rutka)
Steven
Heller/The Nazi Triangle/designobserver.com/archives/023941.html/April
15, 2007
"The
inverted triangle was not based on the Nazi decree that all Jews wear a
Yellow Star. The 1938 law that mandated this discriminatory marking did
not really kick into common use around the Reich until 1941, although
it was enforced in certain localities prior to that year. Still,
prisoners were required to wear various markings, including a yellow
right-side-up triangle behind the inverted one to indicate that he or
she was, for instance, a "Jewish habitual criminal." So the Winkel
prefigured (or inspired) the eventual branding of all Jews.
Neither
Hitler nor the Nazis, however, invented the Yellow Star as the badge of
humiliation. The concept of inequitable attire for Jews dated back to
the ninth century A.D. when in the Middle East Jews were forced to wear
a yellow belt and tall cone-like hat. In 1215 Pope Innocent III
declared that non-emancipated “Jews and Saracens of both sexes in every
Christian province and at all times shall be marked off in the eyes of
the public from other peoples through the character of their dress.”
Other distinguishing labels or badges were instituted in Henry III’s
England and Louis IX’s France. And in Austria Jews had to wear a horned
hat that started out as a normal garment until declared exclusive to
Jews."
Liberated Death Camp Survivors Sing
"Hatikvah" ("Hope"). Rare BBC
audio of Shabbat (Sabbath) Service led by a British Second Army rabbi
at liberated Bergen Belson death camp on April 20, 1945.
http://www.israelreporter.com/files/radio/BergenBelsenHatikva.mp3
2. Faith After The Shoah
"Jews are not permitted to hand
Hitler a posthumous victory. Jews are commanded to survive as Jews lest
their people perish. They are commanded to remember the victims of
Auschwitz lest their memory perish. They are forbidden to despair of
God lest Judaism perish . . . For a Jew to break this commandment would
be to do the unthinkable--to respond to Hitler by doing his
work." --- Emile Fackenheim
Backgrounders on Emil Fackenheim:
For an explanation of Emil Fackenheim's view that the Holocaust is
unique, see:
http://www.jewishvirtuallibrary.org/jsource/Holocaust/What_makes_the_Holocaust_unique.html
Michael L. Morgan, "Fackenheim and the Holocaust: Setting
the Record Straight", Yad Vashem Studies
, Vol. XXXII, 2004. pdf @
http://yad-vashem.org.il/about
_holocaust/studies/table_studies_32.html. Scroll
to link for the article by Michael L. Morgan.
For general remarks on Emil Fackenheim, see: Introduction
to Vol. XXXII, 2004 of Yad Vashem Studies, dedicated to
the Jewish philosopher, Emil Fackenheim, remembered for his work on The
Shoah @
http://yad-vashem.org.il/about_holocaust/studies/studies_32.html.
"Well, Rutka, you’ve probably gone completely crazy. You are
calling
upon God as if He exists. The little faith I used to have has been
completely shattered. If God existed, He would have certainly not
permitted that human beings be thrown alive into furnaces, and the
heads of little toddlers be smashed with butt of guns or be shoved into
sacks and gassed to death. ... It sounds like a fairy tale. Those who
haven’t seen this would never believe it. But it’s not a legend; it’s
the truth. Or the time when they beat an old man until he became
unconscious, because he didn’t cross the street properly."
These are the words of of a 14
year-old Jewish girl, Rutka
Laskier, from her recently recovered diary. Rutka perished in
Auschwitz in 1943.
Thomas
Vinciguerra/As the Nazis and Adolescence Took Hold/NYT June 10, 2007
(includes photo of Rutka with her family)
Films/Videos, & Related Readings:
The
Quarrel
Emil
Fackenheim/Faith in God and Man After Auschwitz:Theological
Implications/Lecture at Yad Vashem April 2002
Recommended:
Emil
L. Fackenheim/To Mend The World
Christopher M. Leighton, "Oprah, Elie Wiesel, and My Fellow
Christians", Commentary
May 2006, Vol. 121, No. 5.
The Leighton article
be directly accessed with this permalink at the Texas State University
library: http://libproxy.txstate.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=f5h&AN=20659463&site=ehost-live
or @
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III. German
Perpetrators And Jewish Victims
Black milk of daybreak we drink you at night
we drink you at midday Death is a master aus Deutschland
we drink you at evening and morning we drink and we drink
A famous portion of
Death Fugue , including the best known phrase (underlined above for
emphasis), from the German-speaking Jewish poet
Paul Celan
(1920-1970). For more on Celan see the
section in this syllabus on Representing The Shoah.
Readings:
Goldhagen/Hitler's
Willing Executioners,
Chapters 5, 10, 11, 12, 13, 14.
Goldhagen-Joffe
Exchange/New York
Review Of Books/Volume 44, Number 2-February 6, 1997
Frank Bajohr, "The 'Folk Community' and the Persecution of the
Jews: German Society under National Socialist Dictatorship, 1933-1945",
Holocaust and
Genocide Studies, Fall, 2006, Vol. 20, No. 2.
Abstract:
A systematic analysis of the behavior of German society toward the
Jews under National Socialism reveals a complex process that eludes
static and one-dimensional explanations. Neither antisemitism nor
dictatorial pressure alone, the author believes, can explain the
dynamism in the rapid social exclusion of Jews. Instead, the process of
persecution should be understood as a dynamic interaction between state
and society—one that was shaped by four determinant factors:
antisemitism, the conforming of personal interests to the norms
propagated by the Nazi regime, the activation of social interests (in
particular by the economic exclusion of Jews) and the growing
consensual support for the regime after 1933.
The full text of the Bajohr article
can be accessed @
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IV. Polish
Perpetrators And Jewish Victims
Remembering
Luboml: Images Of A Jewish Community/luboml.org/index.htm
Joseph
Berger/The Things They Left Behind: Photographs From Poland's
Lost Jews/NYT February 28, 2007 (with link to slide show of photos)
"An exhibition of 450 exquisitely ordinary snapshots
at the Yeshiva University Museum show the last normal moments in the
lives of so many."
Nira
Rousso/Finding a 60-year-old treasure/ynetnews.com/April 15, 2007
"... the
incredible story of a collection of 178 family pictures, which
were hidden in the walls of a house in Poland just before the
Holocaust, only to be found some 60 years later and be returned to
their rightful owners. ... Chelm's Jewish community was
one of the oldest in Poland, with artifacts dating it as far back as
the twelfth century. ... The pictures
are
another heartbreaking
example of a thriving, vibrant Jewish community, later erased by the
Nazis. One can peek into an entire world of young, normal Jewish life:
bike rides, parties, romance and fun, strolls in the woods, ice skating
..."
Images
of a
Lost Jewish Community[180 photos] (Chelm, Poland)/ynetnews.com/April
15, 2007
"Searching for faces
that disappeared in the Shoah:
A year
ago, Zvi Lander participated in a ceremony in the town of Chelm,
in Poland. There, a local history teacher gave him a recently uncovered
treasure: 180 photographs that were discovered hidden in a wall of her
home when it was torn down for renovations. The pictures show a large
Jewish family, along with many friends."
Klezmer Music & Backgrounder
The Jewish community of Luboml and many other
Jewish communities would have had
occasion to enjoy the performances of traditional Jewish Klezmer
musicians.
"The Ashkenazi Jews were found across
a wide swathe of Eastern Europe from the Baltic to the Black Sea, both
in rural villages or shtetls, and in the urban ghettoes of cities
such as Krakow, Warsaw, Odessa
and Bucharest. A typical klezmer band would be lead by the violin
(known as a fidl), accompanied perhaps by a second fiddle (tsweyster)
playing the melodies an
octave lower; and maybe a third,
rhythmic fiddle (the fturke or secunda); other instruments may have
included clarinet, cello, dulcimer or cymbalom (tsimbl). They
lead a shadowy, hand-to-mouth
existence, travelling a wide
circuit around their home town. They were often disapproved of by
the authorities, but found themselves playing for every strata of
society from humble peasant weddings to
aristocratic balls, for Jew and
gentile alike. Music was learned by ear, and passed on from
father to son (definitely not to daughter!) They shared their
profession, clientele and much of their repertoire
with another group of social
misfits- the gypsies. Indeed it is said that many well known
gypsy groups were actually klezmer musicians in disguise!"
See:
klezmer fiddle
For an in-depth history and discussion of klezmer music, see: http://borzykowski.users.ch
/EnglMCKlezmer.htm
Readings:
Jan
T. Gross/Neighbors,
the entire book.
Introduction to Jan T. Gross/Neighbors
Chapter 1 of Jan T. Gross/Neighbors
Antony Polonsky & Joanna B. Michlic (eds.)The
Neighbors Respond: The Controversy over the Jedwabne
Massacre in Poland-Introduction, pp. 1-43.
For more on Polish anti-Semitism and
reactions to
the book Neighbors by
Jan T. Gross, see this review of the new book by Gross:
Fear: Anti-Semitism in Poland
After Auschwitz (2006) by Jan T. Gross - The Epilogue A
Review by Ruth Franklin
The New Republic
Online/Thursday, September 28, 2006 @ http://www.powells.com/review/2006_09_28.
See also: Jakub
Kloc-Konkolowicz/Waking a Polish Demon/signandsight.com January 21, 2008.
This article originally appeared in German
in the Frankfurter Rundschau
on January 18, 2008 as "Polish Antisemitism: A New Chapter".
From the introduction to
the article and the first paragraph: Jan Tomasz Gross has taken
on the
difficult task of removing blind spots in Polish history. His new book
"Fear", Jan
Gross/Fear: Anti-Semitism in Poland After Auschwitz (Random House 2006),
has sparked an emotional debate in the country of his birth,
where anti-Semitism is not a popular subject.
In recent days a new
chapter in the emotional debate over Polish anti-Semitism has opened in
Poland. The occasion is the Polish edition of a new book by the Princeton historian of Polish origin Jan
Tomasz Gross. The book with the punchy title "Fear.
Anti-Semitism in Poland after Auschwitz" (New York 2006) revolves
around a central question: "How was Polish anti-Semitism possible after
Auschwitz?" According to the reports by Holocaust survivors cited by
the author, rather than being welcomed with open arms, Polish Holocaust
survivors were met in their hometowns by the cynical question "Are you
still alive?!"
For a study of the reaction of the Roman Catholic Church in
Poland to the book Neighbors,
see:
Laurence
Weinbaum/Penitence and Prejudice: The Roman Catholic Church and
Jedwabne/Jewish Political Studies Review 14:3-4, October 2002
"... those elements within the Church that demonstrated the
greatest
sympathy for Jews were among the most eloquent voices calling for
contrition. Those who generally viewed the Jews with suspicion found
additional reason to give expression to their antipathy. In that
respect the Church and the broader community of believers that
identifies with it reflects the society in which it is rooted."
For a study of the role of the local non-Jewish population in
the Shoah elsewhere in Europe, see:
Leonard Rein, "Local Collaboration in the Execution
of the 'Final Solution' in Nazi-Occupied Belorussia", Holocaust and Genocide Studies
, Winter 2006, Vol. 20, No. 3.
Abstract
In many cases, especially in the Nazi-occupied Soviet territories,
the "Final Solution of the Jewish Question" unfolded before the eyes of
the non-Jewish local residents. One can and should ask about the role
that such witnesses played in this process. The sheer extent of the
killing may lead us to the conclusion that local collaboration was
indeed an important aspect of the Holocaust and that the role played by
the local non-Jewish populations was more than that of mere extras or
bystanders. In this article, the author focuses on the case of
Belorussia, analyzing various forms of participation as well as the
motives for collaboration in the genocide.
The full text of the Rein article
can be accessed @
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State University library: http://muse.jhu.edu.libproxy.txstate.edu/journals/holocaust_and_genocide_studies/toc/hgs20.3.html.
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Name and
Password are required.
For backgound information on the Jews of Poland, see: Rebecca
Weiner,
"The Virtual Jewish History Tour: Poland" @ http://www.jewishvirtuallibrary.org/jsource/vjw/Poland.html.
Films/Videos:
Luboml
Image
Before My Eyes-A History of Jewish Life in Poland Before The Holocaust
(recommended)
Recommended:
Jan
Gross/Fear: Anti-Semitism in Poland After Auschwitz
See also:
Antisemitism Worldwide 2001/2/Robert S. Wistrich/The Jedwabne Affair
On Memory:
Benjamin
Paloff/ Who Owns Bruno Schulz?: Poland stumbles over its Jewish
past/Boston Review/December 2004-January 2005
For more on the issues of the past,
memory, and ownership addressed in the Paloff article above, see:
Alan
Riding/The Fight Over a Suitcase and the Memories It Carries/NYT
September 16, 2006
" ... in a sense, this painful dispute has come down to the
competing
claims of individual and collective memory.
On the one hand, it seems heartless to deny Mr.
Lévi-Leleu
repossession of this poignant relic, one that might help him to assuage
a loss suffered more than six decades ago. On the other hand, the
collective memory of the Holocaust has been partly constructed in
Auschwitz through personal effects — clothing, shoes, combs and
hairbrushes, eyeglasses, razors and buttons, as well as suitcases —
left by victims.
Similar arguments have been mobilized in the case of seven
watercolor portraits of Gypsy prisoners that now hang in the Auschwitz
museum. They were painted in 1943 by another prisoner, a young
Czechoslovak Jew, Dina Gottliebova Babbitt, now 83 and living in
California, who wants to recover them. But the museum has refused,
saying the portraits serve 'important documentary and educational
functions' by testifying to the genocide of Gypsies.
Who owns memory? Or, perhaps more pertinently, who selects
memory?"
See also: George
Gene Gustines/Comic-Book Idols Rally to Aid a Holocaust Artist/NYT
August 9, 2008
"... the tale of Dina Gottliebova Babbitt, who survived two
years at the
Auschwitz concentration camp by painting watercolor portraits for the
infamous Nazi Dr. Josef Mengele.
... the colorful mural that Mrs. Babbitt painted in the children’s
barracks
there. She started with Walt Disney’s version of Snow White, but her
audience clamored for the Seven Dwarfs as well, and some farm animals.
The original mural is believed to have been destroyed, and the story
uses a re-creation Mrs. Babbitt painted last year."
See the illustrated Comics
for a Cause (pdf) that recounts the experience of Dina Gottliebova
Babbitt at Auschwitz
in World War II, and her recent efforts to reclaim her art.
Charles
S. Maier/Hot Memory-Cold Memory:On the Political Half-Life of Fascist
and Communist Memory/Tr@nsit online 2002 No. 22
V. Why Bulgaria's Jews
Survived
For an insightful analysis of the survival of many Jews in Bulgaria
during the Shoah, see:
Todorov/TheFragilityOfGoodness:WhyBulgaria'sJewsSurvivedTheHolocaust
For an insightful analysis of the
motivations of rescuers of Jews during the Shoah, see:
Kristen R. Monroe/The Hand Of Compassion: Portraits of Moral
Choice During the Holocaust (Princeton University Press 2004)
Read Chapter 1 - Introduction to The Hand of Compassion:
Portraits of Moral Choice During
the Holocaust by Kristen Renwick Monroe
Return to the beginning of the syllabus
VI. Anti-Semitism
In Germany
Image
of the "Eternal Jew" as shown on the cover of the 1937 book published
by the Nazi party
Photos
from the 1937 book "The Eternal Jew" published by the Nazi Party
"... eight of the 265 photographs in a book called “The Eternal
Jew,” published by the Nazi Party's publishing house in 1937. The book
consists entirely of photographs with brief captions. The photos chosen
generally make Jews look as unpleasant as possible."
Photos
Link:Nazi
Propaganda Film Classic"The Eternal Jew"(Der-Ewige-Jude)/Still Photos
Der
Ewige Jude (1940) See paper by Stig Hornshoj-Moller (with links &
photos)
A review
essay of the film "The Eternal Jew" in a 1940 Nazi monthly
for propagandists/"The Eternal
Jew: The Film of a 2000-Year Rat Migration" (no author's name given).
This essay is posted at the German Propaganda Archive @ http://www.calvin.edu/academic/cas/gpa/.
Readings:
Goldhagen/Hitler'sWillingExecutioners,
Introduction, Chapters 1, 2, 3.
Christian Anti-Judaism in Europe
Victoria
J. Barnett/The Role of the Churches: Compliance and
Confrontation/Dimensions: A Journal of Holocaust Studies 1998, Vol. 12,
No.2.
"Lord, I ascribe it to thy grace,
And not to chance as others do,
That I was born of Christian race,
And not a Heathen, or a Jew."
From: Isaac Watts, Divine Songs
for the Use of
Children Song
6: Praise for the Gospel [June 18, 1715].
For the complete text of this hymn, see: Divine Songs for the Use of
Children, Song
6: Praise for the Gospel, June 18, 1715 @ http://www.sakoman.net/pg/html/13439.htm.
Scroll to Song 6: Praise for the Gospel.
For an example and some discussion of 18th century Christian
hostility to Jews with a reference to the popular hymns by Isaac Watts,
see:
Michael
Marissen/Unsettling History of That Joyous 'Hallejuah'/Arts &
Leisure Section-Music/NYT
Sunday, April 08, 2007, pp. 24 & 30.
"...
Messiah lovers may
be surprised to learn that the work was meant
not for Christmas but for Lent, and that the
Hallelujah chorus was
designed not to honor the birth or resurrection of Jesus but to
celebrate the destruction of Jerusalem and the Second Temple in A.D.
70. For most Christians in Handel’s day, this horrible event was
construed as divine retribution on Judaism for its failure to accept
Jesus as God’s promised Messiah.
... To create the
Messiah
libretto Charles Jennens, a formidable
scholar and a friend of Handel’s, compiled a series of scriptural
passages adapted from the Book of Common Prayer and the King James
Version of the Bible. As a traditionalist Christian, Jennens was deeply
troubled by the spread of deism, the notion that God had simply created
the cosmos and let it run its course without divine intervention.
Christianity then as now rested on the belief that God broke into
history by taking human form in Jesus. For Jennens and others, deism
represented a serious menace.
Deists argued that Jesus was neither the son of God nor the
Messiah.
Since Christian writers had habitually considered Jews the most
grievous enemies of their religion, they came to suppose that deists
obtained anti-Christian ammunition from rabbinical scholars. The
Anglican bishop Richard Kidder, for example, claimed in his huge 1690s
treatise on Jesus as the Messiah that “the deists among us, who would
run down our revealed religion, are but underworkmen to the Jews.
... Jennens took his reading from Henry Hammond, the great 17th-century
Anglican biblical scholar, whose extended and fiercely erudite
commentary on Psalm 2 suggests the advantage of 'nations' over
'heathen: 'Nations' can readily include the Jews. In the 18th century
no one would have uncritically used the King James Bible and the Book
of Common Prayer’s word 'heathen' for Jews or Judaism. Even children
would have known this, from the famous hymn writer Isaac Watts’s wildly
popular
Divine Songs for the Use of
Children, which includes the
verse 'Lord, I ascribe it to thy Grace, /And not to Chance, as others
do, /That I was born of Christian race, /And not a Heathen or a Jew'. "
For a description of a challenge to Michael Marissen's view of
Handel's "Messiah", see : James
R. Oestreich/Hallelujah Indeed: Debating Handel's Anti-Semitism/Arts
Section-Music/NYT April 23, 2007 p. B3.
Recommended:
Jeffrey Herf/The Jewish Enemy: Nazi Propaganda During World War II And
The Holocaust (Harvard University Press 2006)
Read the
Preface and the first 11 pages [chapter length 16 pages] of Chapter 1
"The Jews, the
War, and the Holocaust" of Herf, The Jewish Enemy pdf
Alan
E.
Steinweis/Studying the Jew: Scholarly Anti-Semitism in Nazi Germany
(Harvard University Press 2006)
Read
the Introduction and the first 18 pages [chapter length 22 pages] of
Chapter 1 An "Anti-Semitism of
Reason" of
Steinweis, Studying the Jew pdf
Christopher
Browning/Ordinary Men: Reserve Police Battalion 101 and the Final
Solution in Poland [with new Afterword]
Recommended for additional general
information on Anti-Semitism:
On the infamous Protocols of
The Elders Of Zion, see:
http://www.ushmm.org/wlc/en/index.php?ModuleId=10007058
http://ddickerson.igc.org
/protocols.html
On Anti-Semitism, see:
http://www.ushmm.org/museum
/exhibit/focus/antisemitism/
http://ddickerson.igc.org/antisemitism.html
Films/Videos:
Der Ewige Jude
("The Eternal Jew" 1940 - Nazi Propaganda Film Classic)
Return to the beginning of
the syllabus
VII.
The War Against The Jews
Photo
Link: Synagogue Burns In Siegen, Germany During Kristallnacht, The
Night Of Broken Glass/November 10, 1938
http://fcit.coedu.usf.edu/holocaust/gallery/Sh04.htm
Readings:
Goldhagen/Hitler's
Willing Executioners,
Chapter 4.
Clendinnen/Reading
The Holocaust,
Chapter 6.
Backgrounder on Aharon Appelfeld @
http://www.jewishvirtuallibrary.org/jsource/biography/appelfeld.html
Appelfeld/Badenheim
1939, the entire novel
On
Appelfeld's Badenheim 1939
Applefeld
Interview/video
Edward
Rothstein Resisting the Nazis Despite the Odds (includes photos)/NYT
Arts
Section pp. B1 & B2, April
16, 2007
"... the gradually tightening grip that held European Jews; the
impressions that couldn’t fully foreshadow what was to come; the human
impulse toward hope being slowly stifled. 'How does one respond,' an
introductory film asks, 'when the future is unknown?' ...
'Who can you turn to?' asks the label text. 'Who will speak for you
when your government turns enemy and neighbors turn away?' 'Is it
better to lie low or stand tall?' And another question: 'To stay or to
go?' ... When the scale of the Nazi ambition starts to become
clear, it is
beyond comprehension. ...
In the show’s companion book, the
historian David Engel suggests that at first Jews saw the Nazi
phenomenon as a recurrence of earlier traumas, as part of the cycle of
Jewish historical experience. Jews, after all, had received full German
citizenship only in 1871, so if they were deprived of benefits in 1933,
it was more a regression than a cataclysm. ...
The sense of repetitive cycles was reinforced by the literal
medievalism of German oppression: the ghettos, the yellow stars, the
governing Jewish councils. These historical echoes, Mr. Engel suggests,
made Jews less likely to see clearly what was happening and made
resistance less likely."
Recommended:
Christopher
Browning/The Origins Of The Final Solution/Garners Books 2005 (Original
hard cover Univ. Of Nebraska Press & Yad Vashem 2004)
Read
excerpts from Browning, The Origins of the Final Solution (1939-1942)
For an informative review essay on
Browning's book calling for
appreciation of the role of ordinary people involved in the Shoah, see:
Omer Bartov, "As It Really Was", Yad Vashem Studies, 2006,
Vol. XXXIV.
This essay is accessible @
http://yad-vashem.org.il/about_holocaust/index_about_holocaust_studies.html
At this site, click on Yad Vashem Studies XXXIV and then click on
Table of Contents and Abstracts. Scroll to Reviews and look for
Omer Bartov. Scroll to and click on Full article ... The
review essay by Omer Bartov is in PDF.
Films/Videos & Related Materials:
The
Wannsee Conference (Video)
Wannsee
House/Photos
Wannsee
Conference & Final Solution/Protocol/Documents
America
And The Holocaust (Video)/pbs.org/wgbh/amex/holocaust/
Nina
Bernstein/After a Fight to Survive, One to Succeed (with photos)/NYT -
N.Y. City
& Region Section, Sunday, March 9, 2008
Michael
Berenbaum/Why the Allies Didn't Bomb the Death Camps-Parts I through
III/britannica.com/blog/April 2-4, 2007
For related material on America and the Holocaust, see:
Patricia
Cohen/In Old Files, Fading Hopes of Anne Frank's Family/NYT February
15, 2007
For an informative backgrounder on
Klezmer music, see:
fiddlingaround.co.uk/klezmer
Edward
Rothstein/Return of a Long-Dormant Island of Grace (1887 Eldridge
Street
Synagogue of New York)-with slides/NYT December 1, 2007
"Stand at the center of the 1887 Eldridge Street Synagogue, whose
main sanctuary reopens tomorrow after a restoration that took 20 years
and cost $20 million, and gaze upward, past the chandeliers with their
curled vintage glass, toward the 70-foot-high vaulted ceiling, painted
with gilded stars.
... Even now ... it is
possible to be awestruck by the exotic splendor of this meticulously
restored sanctuary. It is elaborately ornamented with mock-Turkish
motifs, Moorish arches and fantastical trompe l’oeil painting that
turns plaster into marble, pine into mahogany and molded decoration
into ornate stone. Imagine, then, the impact it must have had on its
worshipers when this synagogue flourished, amid its neighborhood’s
raucous, grinding poverty and slum tenements, and its residents’
intoxicating American ambitions and devout Old World beliefs.
... At the close of the 19th century, it must have seemed
otherworldly.
The Lower East Side had become the way station for the United States’
most recent immigrations of Italians and Eastern European Jews. Between
1880 and 1890 alone — as the synagogue was constructed, dedicated and
began its intense, all-too-brief life — 60,000 immigrant Jews settled
there.
... By 1910 ... the neighborhood
contained half a million Jews; by contrast, Vienna, one of the largest
Jewish centers in Europe, had a Jewish population of 175,000, and
Chicago, about 100,000. This neighborhood had one of the largest Jewish
populations of any city in the world — and surely one of the poorest.
Most of the area’s 60-some synagogues were humble gathering places
named after the Eastern European towns and shtetls from which their
worshipers had fled, resembling the social clubs that develop among
many immigrant communities."
Return
to the beginning of the syllabus
VIII.
Ordinary Germans & The Holocaust (Police Battalion 101 And Others)
Readings:
Goldhagen/Hitler's
Willing Executioners,
Chapters 6, 7, 8, 9, 15, 16, and Epilogue.
Christopher
Browning/Ordinary Men: Reserve Police Battalion 101 and the Final
Solution in Poland (1993) [with a new Afterword]
For more information on the experiments to which
Browning refers in his work, Ordinary
Men, see:
The Stanford
University Prison Abuse Experiment
(1971) and related links
Cass
Sunstein/The Thin Line/The New Republic, May 21, 2007, Vol. 236, No. 4,
183, pp. 51-55.
Cass Sunstein's essay is a review of the book The
Lucifer Effect: How Good People Can Turn Evil by Philip Zimbardo
(March, 2007).
"Why do human
beings commit despicable acts? One answer points to individual
dispositions; another answer emphasizes situational pressures. In 2005,
Secretary of State Condoleezza Rice stressed the importance of
individual dispositions in describing terrorists as "simply